Item 2019.69 - Rudi Gernreich Western Shirt Dress

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2019.69

标题

Rudi Gernreich Western Shirt Dress

日期

  • 1970 (创建)

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尺寸和媒介

1

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创建者名称

(1960-1985)

传纪历史

Rudi Gernreich (1922–85) was born in Vienna, Austria and moved to the United States in 1938. He studied art at Los Angeles City College, entering the fashion industry in 1949 in New York with a coat and suit firm called George Carmel, going on to design for companies including Hattie Carnegie, Walter Bass and Westwood Knitting Mills. In 1960 he established his own company G.R. Designs Inc. Swimwear, knitwear and underwear were particularly important to Rudi Gernreich’s label, and he won his first American Fashion Critics Coty Award, for swimwear, in 1960. His last knitwear collection was in 1981.

Known primarily for his body-revealing womenswear, Rudi Gernreich also produced a small selection of menswear and unisex collections. His first men’s designs were in 1956 for the waiting staff of the Chinese restaurant General Lee’s Man Jen Low, in Los Angeles. Their popularity led to Gernreich developing a small collection of beach jackets, car coats and shirt jackets based on the uniforms. In 1962, swimwear designs included a one-shoulder knitted suit and ‘porthole’ cut-out knitted trunks. In 1963 there were designs for men’s knitwear including a patchwork cardigan and narrow, tight-fitting wool knit trousers. In 1970 the label launched the ‘Unisex Look’, showing identical designs on a male and female model whose entire head and body hair had been shaved off. The range included black and white monokinis and white knit bell-bottom trousers; miniskirts for men and women; unisex swimsuits and kaftans; and wool knit unisex jumpsuits. There were also men’s kaftans in 1973 and a military-inspired collection in 1974. In 1974 he also launched the design named ‘The Thong’, a controversial swimsuit for men and women, high cut over the hips and going between the buttocks at the back, which was trademarked in 1975, and later developed into men’s underwear designs.

Sources: Rudi Gernreich papers, 1891–1993, UCLA Library Special Collections; Peggy Moffitt and William Claxton, The Rudi Gernreich Book (New York: Rizzoli, 1991); US Trademark and Patent Office.

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A-line 'Western' long-sleeved shirt dress made from white satin acetate, featuring a windowpane check pattern in blue parallel stripes. The shirthas a turn-down pointed collar and fastens at the centre front with seven metal ring press studs along a placket to the waist. It includes two patch pockets on the chest, each with scalloped flaps that close with a metal ring press stud. The front also features a pointed yoke extending from the shoulder seams.

At the hips, there are two side seam pockets. The sleeve cuffs have an elongated placket, fastened with three metal ring press studs. The back of the dress showcases a scalloped shoulder yoke with a centre point and a centre-back seam. The hem is upturned, overlocked, and finished with blind stitching.
Country of Design: United States.

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      There is one black woven garment label positioned at the centre back and underneath the collar with Rudi Gernreich embroidered in white. Size S, 100% Acetate,

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      From Gernreich's 1970 Unisex collection.

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      From Inside the Westminster Menswear Archive:

      WESTERN SHIRT KAFTAN
      Rudi Gernreich
      1973
      Gernreich reimagined the Western shirt, one of the most traditionally masculine American garments, as a shirt dress (though he named it a kaftan), exemplifying his innovative unisex approach to fashion. Additionally, the garment resembles the traditional Middle Eastern men’s
      thobe. It has Western shirt details such as a pointed collar, pointed shoulder yokes on the front and back, patch pockets with scalloped pocket flaps on the chest, and snap closures on the cuffs, pockets and front placket. The shirt dress is made from white satin acetate with a windowpane check pattern in blue parallel stripes and a front placket that extends from the collar to the waist and secures with seven Gripper snap fasteners.
      Acetate rayon
      Archive no. 2019.69

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