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- 2017 (创建)
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Dark blue cotton work coat featuring a turn-down collar and three large patch pockets on the front—two at the hips and one on the left chest. Each pocket has cut, angled corners at the bottom. A large white Tyvek label is sewn along the top edge on the right chest, printed in black and red with "A-COLD-WALL*".
Over the lower half of the coat has been hand sprayed with pale blue paint at the front and back and hand applied white paint splatters. The back yoke has been printed in large white lettering 'A-COLD-WALL*' and the lower back has been printed with a large blue triangle outline with 'ACADEMIA / CORRECTION / WORK SHOP' in vertical. On each sleeve cuff is printed 'A C W*'.
Country of Design: England
Country of Manufacture: United Kingdom
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MADE IN UNITED KINGDOM
Materials: 100% cotton
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说明
Invisible Men exhibition label:
ACADEMIA CORRECTION WORKSHOP COAT
A-COLD-WALL*
2017
The dichotomy of garments being both new and worn is explored in this coat by Samuel Ross, the designer of label A-COLD-WALL*. It has been overprinted, sprayed and having paint randomly dripped onto it and also features a prominent white Tyvek label that may or may not be meant to be removed before being worn.
Cotton
Archive no. 2019.112
说明
说明
From Inside the Westminster Menswear Archive:
ACADEMIA CORRECTION COAT
A-COLD-WALL*
2017
In this coat, designer Samuel Ross of A-COLD-WALL* explores the contrast between new and worn-looking garments. It has been overprinted, sprayed and randomly dripped with paint, and a large white Tyvek label, which may or may not be intended to be removed prior to wearing, has been attached. It was displayed in May 2017 as part of Academia Correction Workshop, a pop-up installation by Samuel Ross based on a classroom setting and comprising branded schoolbooks, pencils, rulers and workshop coats. The setting drew parallels between an individual’s first encounter with conformity and diversity, and consequently the loss of individuality. The uniformity of the presented garments, including this workshop coat, was deliberately subverted by spraying and splattering them with paint, thereby rendering them unique and individual.
Cotton
Archive no. 2019.112