Identity area
Reference code
Title
Date(s)
- A/W 1984 (Creation)
Level of description
Extent and medium
Context area
Name of creator
Biographical history
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Size: M/L
Country of Design: United Kingdom
Country of Manufacture: England.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
Label: Vivienne Westwood / Made in England / M/L
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Invisible Men exhibition label:
CLINT EASTWOOD JACKET
Vivienne Westwood
1984
One of Westwood’s most iconic garments, the Clint Eastwood jacket highlights her creative approach to pattern cutting as a method to develop new silhouettes. Cut almost entirely without curved lines, the jacket takes on a heroic and exaggerated sense of proportion, with an extended rib knit to the bottom of the jacket and the cuffs.
Nylon, wool
Archive no. 2016.267
Note
From Inside the Westminster Menswear Archive:
CLINT EASTWOOD JACKET
Vivienne Westwood
Autumn Winter 1984
Vivienne Westwood’s first solo show after separating from Malcolm McLaren was titled ‘Clint Eastwood’ and took place at the Jardin des Tuileries in Paris in March 1984. The Clint Eastwood jacket has become one of Vivienne Westwood’s most recognizable designs and exemplifies her innovative approach to pattern cutting as a means of creating new silhouettes. A triangular gusset has been sewn into the back of the neck to allow the shoulders to drop and create a curved neckline. To add volume to the shoulder joint, a diamond-shaped gusset was added to the armpit area of the sleeve. The use of an extended rib knit at the jacket’s hem and cuffs accentuates the jacket’s heroic and exaggerated sense of proportion, which is achieved by the absence of almost any curved lines.
Nylon, Wool
Archive no. 2016.267