Identity area
Reference code
Title
Date(s)
- Autumn Winter 2014 (Creation)
Level of description
Extent and medium
Context area
Name of creator
Biographical history
Sources: lvmh.com; WWD.
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Country of Design: United Kingdom
Country of Manufacture: United Kingdom
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
Colour/Print: Blue
Measurements:
Chest 123cm
Waist 121cm
Inner arm 45cm
Outer arm 61cm
Button stand length 62cm
Centre back length from nape 67cm
Shoulder to shoulder width 48.5cm
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Invisible Men exhibition label:
HAND PAINTED CANVAS JACKET
Craig Green
2014
The first examples of camouflage were devised and hand painted by artists including painter Lucien-Victor Guirand de Scévola, who led the French army's camouflage unit in the First World War. This modern-day jacket was hand painted, and hand printed, creating a complex and multi-layered pattern to confuse and dazzle the eye.
Cotton
Archive no. 2016.213
Note
Note
From Inside the Westminster Menswear Archive:
HAND-PAINTED JACKET
Craig Green
Autumn Winter 2014
Camouflage’s earliest examples were hand-painted by artists such as Lucien-Victor Guirand de Scévola, who led the French army’s camouflage unit during the First World War. This hand-painted jacket is from Craig Green’s Autumn Winter 2014 collection, which featured layered looks composed of trousers, shirts and jackets all hand-painted in the same pattern, evoking a sense of camouflage. The print is a type of disruptive colouration, a technique that works by breaking up the outlines of a person or object with a strongly contrasting pattern; in this example, it renders the details and boundaries of the garment invisible. The spiral patterns were hand-painted with fabric paints and inks and then folded to transfer the pigments. This process was repeated several times to increase the pattern’s complexity.
Cotton
Archive no. 2016.213